王道與創新創業 Wangdao and Innovative Entrepreneurship
https://trh.gase.most.ntnu.edu.tw/tw/article/content/237
宏碁集團創辦人施振榮一路走來以「王道」思維投入創業,所謂的王道就是領導人之道,「創造價值、利益平衡、永續經營」是王道的三大核心理念,唯有透過不斷創新創造價值,持續建構一個能共創價值且利益平衡的機制,才能達到永續經營的目標。
為推動科技創新同時也鼓勵年輕朋友勇於投入創業,科技部(前身為國科會)於2013年3月啟動「創新創業激勵計畫」,並由國家實驗研究院科技政策研究與資訊中心執行至今,宏碁集團創辦人施振榮董事長(英文名:Stan)也受邀擔任該計畫的「榮譽教務長」。
參加這項計畫的這群青年創業者至今累積已達3,229位,目前還在持續增加中。許多有心投入創業的年輕朋友們經常問施董事長說:「Stan哥,創業成功的關鍵是什麼?」
創業成功的關鍵密碼
他回答說:「美國矽谷的創業家就曾經分析創業成功的五個重要因素,包括:創意(Idea)、團隊(Team)、經營模式(Business Model)、資金(Funding)、時機(Timing),他們得到一個結論,其中最為關鍵的就是「時機」這個因素。」
對於「時機」這個因素,施董事長的看法是,如何有效掌握時機最為關鍵。首先一定要身歷其境地投入,才能掌握最佳時機,因為太早投入會耗盡資源後繼無力,太晚則又來不及掌握機會。
新創事業的發展,施董事長的觀察是「成功比你預期的慢,但成長比你預期的快」。它並不是直線式發展,而是一旦時機成熟到了一個對的爆發點後,就會快速發展。
創業成功之路無法複製
此外,他總是不忘提醒,「創業是要為社會創造價值」,而要創造價值就必需要以創新的方式才能成功,只要能找到對的模式,就可以一步步慢慢以滾雪球的方式滾大。創業之路,不能靠外力,只能靠自己。
尤其「創業成功之路並無法複製」,因為每個人創業有其當時的時空環境背景與各種條件,他人難以複製;但可藉由了解別人創業失敗的原因,避免自己重蹈覆轍。
以王道思維創新創業
此外,施董事長一路走來都是以王道精神投入創業。
所謂的「王道」就是大大小小組織的領導人之道,「創造價值、利益平衡、永續經營」是王道的三大核心理念,且所創造的價值要從「六面向」來看待事物的總價值,以王道的系統觀為制高點,在「有形、直接、現在」的顯性價值外,更要重視「無形、間接、未來」的隱性價值。
舉例來說,由施董事長發起並擔任共同製作人的新年音樂會,自2019年舉辦至今已有三年。他就是以「王道製作人」為定位,從王道精神出發,希望大家共創價值並利益平衡,希望音樂會的觀眾覺得滿意、贊助商覺得有價值、演出及演奏的音樂家們以及製作、轉播單位的工作同仁都有成就感,讓所有參與的利害相關者都能感動。
所以他總是以此鼓勵勇於投入創業的朋友,要不斷創新創造價值,持續建構一個能共創價值且利益平衡的機制,才能達到永續經營的目標,進而為社會做出貢獻,開創臺灣的新未來。
*出處:科技部GASE中心「創新創業」電子報
同時也有18部Youtube影片,追蹤數超過15萬的網紅Gina music,也在其Youtube影片中提到,Don't forget to turn on the bell icon for future uploads 🔔✔️ 西洋音樂愛好者✨這裡不會有冗長的介紹文卻是個讓你挖歌的好地方😎 追蹤Gina music社群挖掘更多音樂🌹 facebook👉 https://www.facebook.com...
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【唯快不破】
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這次的疫情把很多人推向了職涯選擇的叉路,無薪假或是產業的重創,讓許多人再三猶豫自己的處境。
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該不該轉換跑道呢?
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當這樣的念頭反覆出現,我覺得對多數人來講答案都是肯定的,不見得要離職,但該把工作之餘的時間做其他產業的嘗試。
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大環境裡多數的工作,都是日復一日的流水線雜務,單調重複波瀾不起,還要求你當個主管底下的乖寶寶。
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夠乖當夠久後,可以升小主管,但升上小主管不代表你對工作能有更多主動,你得更乖更聽話,否則下面很多人覬覦你的位置,隨時可以把你的一切拔掉。
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除了當老闆的乖寶寶外,還附贈一個壞寶寶的身分,當下屬要求更好的待遇或遇到不公時,壞寶寶小主管得幫忙上層掩護。
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「你這個獎金不能拿,因為......」
「你這違反內部規定,將做出懲處......」
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被下面說換了位置換了腦袋,被上層質疑管理能力,總是裡外不是人。
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也因此,我認為除非對自身工作有極大熱情(或薪水高到能為了財務上犧牲),否則多數時候都該盡早為自己鋪另一條路。
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前格鬥冠軍Conor Mcgregor講到讓他名聲大譟的一役,他的冠軍對手,只比他晚了幾毫秒揮出同樣的左拳。
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" Precision beats power and timing beats speed.(精確能擊敗力量,時機能擊敗速度) "
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賽後他這麼說,就像是英文版的天下武功,唯快不破。
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所謂快不是一個勁的衝刺,而是夠早的切入時機;不是一股腦的蠻幹,而是精確的分配心力在自己重視的未來,自己珍視的生活。
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許多產業在疫情後都有很大的整頓,一個領域的黃昏也代表另一個的日出,或許不能拿到更高的薪資,但可能有更多的熱情,更多的彈性自主。
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祝福閱讀的各位,很快的能投入自己喜愛的工作,一個不需要巴結誰,討好誰,迎合誰,不被折騰,能善待自己的職涯😇
timing英文 在 文茜的世界周報 Sisy's World News Facebook 的精選貼文
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會,我下午二時開始演講,離上次在台灣大學公開演説。快半年了!分享會報名一小時預告已額滿,但TVBS電視台慷慨的支持。派出SNG車,屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營,參加劉孟捷(李斯特巡禮之年)鋼琴獨奏會。這是劉孟捷回台,最重要的一場音樂會,我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會,劉孟捷都未曾如此緊張。他此次回台,手術前為了沒有遺憾,共舉行三場音樂會:其中4/17與5/30皆是與國家交響樂團NSO合作:530那一場指揮是呂紹嘉。但他告訴我,某些曲目對他而言,是Piece of Cake :惟獨衞武營這一場,曲目由他自己決定,現場錄影,並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術,手術風險之外,他的免疫系統疾病,將使他的康復之路更長。
沒有人可以預知未來,為了圓他的夢,醫院每天都要求他早上、晚上量血壓,報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師,但也不敢大意。
畢竟這個人的生命那麼脆弱,他的心臟主動脈剝離,那是實質的「心碎」了:但他仍有詩,仍有音樂夢。在生命的交接處,在白日與黑夜的交义口,劉孟捷想為他的音樂生涯,留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前,他甚至以英文寫下了自己與音樂、疾病的半生回顧:如李斯特的巡禮,有仰望,有沉思,有失落,有幽微的疼痛。他以詩篇般的演奏模式,傾訴,詠嘆。他曾得到天賦,也走過死蔭的幽谷。命運是一層又一層的黑影逼近,老天爺隨時想帶走他。
而他已不再流淚,不再沉浸於悲愴告別:因為對他而言活著並不容易,他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間,正如哲人們所形容的
都是不實際存在的東西:那從不感到衰敗的太陽,也不會比我們了不起多少!
他如艾略特的詩句中所形容的:我們為什麼要如此貪心總在祈禱,想活上整整一個世紀?
蝴蝶雖僅活了一天,已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時,他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了,至少有一張CD,一段YouTube 影像:不論孟捷代表生命的那朵鮮花是否枯萎,他彈奏如天使的音聲不會飛離,它會停留在那夜,繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説:這樣當他走進手術室時,會少一點悲傷。
或許快樂的日子本來就不多,但讓這場「完全李斯特.完全劉孟捷」的獨奏會放出神聖的光彩吧!
我必將赴會,不會錯過!我知道此刻的獨奏會,很難複製,因為它綜合了太多的情感、愛念,釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字:This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中,包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩:這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的,詩本身就很優美,依此激發李斯特的浪漫主義創作靈感,成為琴藝上最困難演奏,但也特別細膩溫柔的琴詩。
這三首分別是:
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt(1811-1886): Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》(Tre sonetti del Petrarca),再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯:焦元溥(元溥也是友情贊助,特別準備音樂資料,周日南下,聆賞劉孟捷的樂曲,並且陪同他盯著錄音共三天)
〈第47〉
祝福每天、每月、每年,
所有片刻與鐘點、時間與季節,
在那美麗的原野,
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜,
與愛同在、受苦不停歇,
如弓箭刺穿令我淌血,
傷口永留感動在我心間。
祝福一切我發出的聲音,
當呼喚著我深愛的女郎,
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚,
歌頌她的芳名,萬古長新。
我心永屬於她,無人能闖。
〈第104〉
我找不到和平,也無意打仗,
我恐懼、我期望,燃燒又冰透。
我向天飛升,卻躺在地上,
我一無所有,卻又擁抱整個宇宙。
我身陷囹圄,監牢又開敞;
我不受囚禁,卻銬著鎖頭。
愛情不讓我死,也不讓我飛翔;
不要我活,也不准我逃離悲愁。
欲看卻無眼,啞口還在發言,
我甘心殞滅,卻仍高聲呼救,
我痛恨自己,但仍愛著他人。
憂傷滋潤我,淚水伴隨笑臉,
生命不足惜,死亡也不煩憂;
我淪落至此,都是妳啊,我的愛人!
〈第123〉
我在塵世見到仙子的美,
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜,
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚,
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息,
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富,
在淚水中形成甜美聲響,
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌,
雖然枝上樹葉並未飛舞,
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
timing英文 在 Gina music Youtube 的最佳解答
Don't forget to turn on the bell icon for future uploads 🔔✔️
西洋音樂愛好者✨這裡不會有冗長的介紹文卻是個讓你挖歌的好地方😎
追蹤Gina music社群挖掘更多音樂🌹
facebook👉 https://www.facebook.com/Ginamusicland
instagram👉https://www.instagram.com/ginamusic_yujia/
spotify 歌單👉https://open.spotify.com/playlist/2EfPjFfdqN8NzUwj1XNoZC
kkbox👉https://www.kkbox.com/tw/tc/profile/GqICYlKUZnCZyC0RO7
🌺贊助GINA讓頻道走得更長久•̀.̫•́✧
Donate and support my channel👉https://p.opay.tw/WSwM8
🌸本影片與 Hurshel 合作宣傳🌸
想讓更多人認識你的聲音嗎?歡迎投稿😎
Submit your music 👉ginamusictaiwan@gmail.com
For business inquiries about copyright issues, photos and song submissions,
please contact👉 https://www.facebook.com/Ginamusicland
____________________________________________________
Social Media:
▶ Download / Stream link : https://td.thisishurshel.net/wfm
👑 Hurshel
https://www.instagram.com/thisishurshel/?hl=zh-tw
https://www.facebook.com/thisishurshel/
https://open.spotify.com/artist/6z6uBfaMCKFCDIuHNYhRra
https://www.youtube.com/c/Hurshel
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Lyrics:
Don’t know what to do how to do it
不知道該怎麼做
Know that I should leave but I hate it
知道我應該離開但我討厭接受這事實
I know that you are not
明知道你不是
Know that you are not the right one
知道你不是對的人
(The right one)
Make this hard on myself yeah
這對我來說很難
Don't like asking for help yeah
不喜歡尋求幫助
Maybe it’s an excuse
也許只是個藉口
So I don’t get closer
所以我不會接近你身旁
(So I don’t)
If you are falling would you fall with me
如果你墜落 你會和我一起嗎
If I was calling would you answer me
如果我打電話你會回應我嗎
The timing was awful
即使時機不對
Would you, would you
你會嗎
Would you wait for me
你會等我嗎
(Would you wait for me)
#Hurshel #WaitForMe #Lyrics #輕電音
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timing英文 在 RiderAth Youtube 的精選貼文
Gaido timing belt component kit的車款覆蓋率大部分為
Proton,Perodua,Honda, Toyota, Nissan, Mazda等等...
如有任何想要詢問的車款都可以聯絡一下聯絡號碼喔:
Please WhatsApp: https://wa.me/60173117742
關於讓我最驚喜的warranty方面,Gaido提供
3年或100,000km的保佳 (whichever come first)
如果在warranty期間損壞的話,gaido還承擔拉車費用和價值3000塊的維修費用喔~
gaido malaysia官方網站:
https://gaido.com.my
gaido malaysia官方facebook:
https://www.facebook.com/gaidotimingbelt/
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Ath影片拍攝時使用的收音器材:
https://invol.co/cl1knrk
https://invol.co/cl1knqv
Ath影片拍攝時使用的相機:
https://invol.co/cl1oeo4
https://invol.co/cl1kntr
https://invol.co/cl1knu8
Ath影片拍攝使用手機:
https://invol.co/cl1knt4
Ath外景拍攝時使用的對講機:
https://invol.co/cl1kq2r
Ath最愛使用的相機腳架:
https://invol.co/cl1knw5
Ath閣樓的Studio補光燈組:
https://invol.co/cl1knyj
Ath戶外拍攝使用的相機腰帶:
https://invol.co/cl1oew1
———————————————-
下面是我和Bojio傑哥在shopee網店售賣的看片神器!
都是經過我們的嚴格挑選的才進貨的電視盒,
請大家多多支持我們的網店喔~
必買看片神器!:
性價比之神,底配小雲SviCloud 3S電視盒購買連結:
https://invol.co/cl1kpzw
性能卓越價錢公道,中配小雲3plus電視盒購買連結:
https://invol.co/cl1kq16
超強性能旗艦款式,高配小雲3Pro電視盒購買連接:
https://invol.co/cl1kq1l
Ath車上的專屬香味:
http://bit.ly/riderath
————————————————————
《後座椅背傾斜角度龍虎榜》
1-BMW 740Le (107°)
2-Subaru Forester (105.5°)
3-Nissan Almera 2020 (105°)
3-Honda City fl (105°)
4-Mercedes benz A250 (104°)
5-Perodua Myvi 2 (103.3°)
6-Toyota Vios gen3 (103.1°)
7-Mazda CX 5 (102.5°)
8-Subaru XV 2 (102°)
8-Proton Saga vvt (102°)
9-perodua bezza 2020 (101.5°)
10-Perodua Myvi 3 (101.3°)
11-Proton wira aeroback (101°)
11-Hyundai Elantra 201 (101°)
12-Proton Persona 2019 (100.6°)
12-Proton Prevé (100.6°)
13-Borgward BX5 (100.1°)
13-Perodua Viva (100.1°)
14-McLaren 720S 前座 (100°)
15-Proton X50 (99.9°)
15-Toyota Yaris (99.5°)
15-Mazda 3 Sedan (99.5°)
16-Proton Iriz (99.2°)
17-Mazda 3 HB (99°)
17-Nissan Navara NP300(99°)
18-Honda HRV fl (98.7°)
19-Toyota Corolla 2019 (98.5°)
20-Toyota Hilux 2020 (97.5°)
21-Proton X70 CKD (96.5°)
22-Perodua Axia (95.8°)
23-Perodua bezza (95.4°)
24-Perodua Kelisa (95°) (**with cushion)
阿豪ATH接受任何汽车或产品介绍或开箱的工作联系喔~
如果有人想借我你们自己的车或汽车产品又或者汽车服务拍视频的话也可以联系我喔~
Email:riderath1989@gmail.com
FB: https://www.facebook.com/RiderAth/
IG:https://instagram.com/riderath1989
#TimingBelt
#TimingChain
#到底哪個比較好?
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timing英文 在 豐富 Youtube 的最佳貼文
主持人:楊應超
第一季-第12集:賺高薪需要具備的能力
節目直播時間:週五 14點
本集播出日期:2020.11.27
⏭ 章節:
00:00 頻道片頭
00:07 開場
01:12 節目片頭
01:30 賺高薪需要具備的能力
24:18 Q&A:股票如何停利或停損
34:24 Q&A:第一季13集節目後,請用臉書粉絲頁繼續聯絡
45:07 請繼續提問:你活著不是為了工作,祝大家早日達到FIRE財務自由
48:24 節目片尾
48:50 頻道片尾
📝 名詞補充:
1. Manage Expectation:預期管理
2. Assume - "Make an ass of U and ME":不要亂假設,再確定比較安全
3. Stephen Covey - 7 Habits of Highly Effective People:美國有名的效率提升書
4. Responsive:做事要很快的回覆
5. 10Q and 10K:美國上市公司需要公佈的季報和年報
6. Charles Schwab,Fidelity,Vanguard:美國三大免交易費的證券商
7. Market Timing:抓股市的時機進場退場,很不建議,因為很難
8. Opportunity Cost:機會成本
📚 參考書訊:《財務自由的人生:跟著首席分析師楊應超學華爾街的投資技巧和工作效率,40歲就過FIRE的優質生活》 https://eslite.me/w24ad
#楊應超 #財務自由 #FIRE
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訂閱【豐富】YouTube頻道:https://www.youtube.com/c/豐富
按讚【豐富】FB:https://www.facebook.com/RicherChannel
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timing英文 在 中英物語/ 中翻英/ Chinese to English Classroom / Chtoen 的推薦與評價
http://www.chtoen.com/Time跟Timing跟Times的差別. 相關的粉絲專頁. 英文多一點A Little More English. 2 萬人說讚. 在翻譯的完美世界中闖蕩,職業 ... ... <看更多>