翻聽Bob Dylan的《Desolation Row》湧起一股莫名的觸動,感覺就像走過了一條漫長的荒涼之路。頭兩句不知怎的讓我想到最近的香港:
They’re selling postcards of the hanging
They’re painting the passports brown
他們販售吊刑的名信片
他們把護照髹成啡色
然後我便分外留神聽接下來發生甚麼事:
The beauty parlor is filled with sailors
The circus is in town
Here comes the blind commissioner
They’ve got him in a trance
One hand is tied to the tight-rope walker
The other is in his pants
And the riot squad they’re restless
They need somewhere to go
As Lady and I look out tonight
From Desolation Row
美髮店擠滿了水手
馬戲團就在城後
然後來了一個特首
他們將他發入吽竇
一隻手綁住走鋼線高手
另一隻插在褲袋裡頭
還有防暴警察全在煩躁無休
他們需要某個地方抖抖
像這位小姐和我遍夜尋求
由荒涼之路口
然後找到哪裡去?似乎是酒館。
Cinderella, she seems so easy
“It takes one to know one,” she smiles
And puts her hands in her back pockets
Bette Davis style
And in comes Romeo, he’s moaning
“You Belong to Me I Believe”
And someone says, “You’re in the wrong place my friend
You better leave”
And the only sound that’s left
After the ambulances go
Is Cinderella sweeping up
On Desolation Row
灰姑娘,她似乎幾開放
「講嗰個就係嗰個。」佢笑咗
然後將雙手插進後袋
貝蒂戴維斯的風格
然後來了個羅密歐,佢喺度呻吟
「你係屬於我㗎我相信!」
然後有人話:「你來錯地方喇朋友,
你最好離開。」
然後唯一留低的聲音
在救護車走了之後
是灰姑娘的掃地聲
在荒涼之道上
我很喜歡這一種講故事的歌,因為這才叫做「吟遊」。當現在的歌失去了這種吟遊性,就空餘下一堆感質。我們已經不再用灰姑娘來形容負責打掃地方的女人,我喜歡這樣的形容,但設定跟原著是反轉的:掃完地,一到十二點,她就準時穿回自己的玻璃鞋。
然後已經好夜好夜了:
Now the moon is almost hidden
The stars are beginning to hide
The fortune-telling lady
Has even taken all her things inside
All except for Cain and Abel
And the hunchback of Notre Dame
Everybody is making love
Or else expecting rain
And the Good Samaritan, he’s dressing
He’s getting ready for the show
He’s going to the carnival tonight
On Desolation Row
現在月亮就快都看不見
繁星也開始隱淡
占卜未來的女人
甚已將她的所有東西收起
所有除了該隱和亞伯
以及聖母院的鐘樓佗俠
人人都在做愛
或其餘的在等雨
然後有個好撒馬利亞人,他在換裝
他已經準備好出騷
今晚他將會前往嘉年華
在荒涼之道上
突然輪到《哈姆雷特》的女主角奧菲利亞登場:
Now Ophelia, she’s ’neath the window
For her I feel so afraid
On her twenty-second birthday
She already is an old maid
To her, death is quite romantic
She wears an iron vest
Her profession’s her religion
Her sin is her lifelessness
And though her eyes are fixed upon
Noah’s great rainbow
She spends her time peeking
Into Desolation Row
現在奧菲利亞,她就倚在窗旁
我真為她擔心
在她廿二歲生日時
她已經是一個老女僕
對她,死亡是幾浪漫
她穿了一件鐵的背心
信仰就是她的自白
白活就是她的罪名
雖然她已定睛望着上方
那道挪亞的偉大彩虹
但她仍是費上時間來偷望
那條荒涼之路
而你有沒有聽過愛恩斯坦拉小提琴?這一個卻不是那一個,因為他太潦倒了:
Einstein, disguised as Robin Hood
With his memories in a trunk
Passed this way an hour ago
With his friend, a jealous monk
He looked so immaculately frightful
As he bummed a cigarette
Then he went off sniffing drainpipes
And reciting the alphabet
Now you would not think to look at him
But he was famous long ago
For playing the electric violin
On Desolation Row
愛恩斯坦扮成羅賓漢
帶着他車尾廂的回憶
在一小時前才經過這裡
和他的朋友、來自善妒寺的僧侶
他看起來不染得可怕
尤其在他討煙的時候
接着他走去嗅着水喉
叨唸着字母
現在你不會想望到他
但好耐之前他都風光過
奏着電子提琴
在那荒涼之路
從荒涼到荒淫?
Dr. Filth, he keeps his world
Inside of a leather cup
But all his sexless patients
They’re trying to blow it up
Now his nurse, some local loser
She’s in charge of the cyanide hole
And she also keeps the cards that read
“Have Mercy on His Soul”
They all play on pennywhistles
You can hear them blow
If you lean your head out far enough
From Desolation Row
猥褻醫生,他將他的世界
藏在一隻皮杯裡
但他所有無性的病人
他們正嘗試吹起它
現在他的護士,某個本地的失敗者
她是山埃孔的話事人
而她亦藏了一張卡片寫着
「願主垂憐他的靈魂」
他們全都玩着尖哨
你可以聽到他們在吹
如果你把頭傾得夠遠
從荒涼之道
卡薩諾瓦是意大利聞名的詩人情聖,這一段特別令我着迷:
Across the street they’ve nailed the curtains
They’re getting ready for the feast
The Phantom of the Opera
A perfect image of a priest
They’re spoonfeeding Casanova
To get him to feel more assured
Then they’ll kill him with self-confidence
After poisoning him with words
And the Phantom’s shouting to skinny girls
“Get Outa Here If You Don’t Know
Casanova is just being punished for going
To Desolation Row”
對面街他們已釘上帷幕
他們已準備好一場盛宴
《歌聲魅影》
牧師的完美形象
他們用湯匙向卡薩諾瓦灌藥
讓他稍為有安全感
然後他們用自信來殺掉他
之前用文字毒害他
然後魅影向瘦削的女孩們喊道:
「如果你不知道就請你們離開
卡薩諾瓦已經受罪因他
前往荒涼之道。」
接下來這一段,我懷疑是在描寫納粹的集中營:
Now at midnight all the agents
And the superhuman crew
Come out and round up everyone
That knows more than they do
Then they bring them to the factory
Where the heart-attack machine
Is strapped across their shoulders
And then the kerosene
Is brought down from the castles
By insurance men who go
Check to see that nobody is escaping
To Desolation Row
現在午夜所有特工
和超人類團隊
出來圍住了所有人
因為知道了不該知道的
然後把他們帶到工廠
那裡有心臟病機器
綁在他們的肩膊上
然之後那煤油
從城堡裡帶下來
有人會以防萬一
檢查一下看看是否無人能逃
逃往荒涼之路
Bob Dylan這首歌可能戲仿了英國詩人ES艾略特的長詩《荒原》,這首詩的一大特色是沒有人能看懂一個字——每個字都懂,湊起來卻不成意思。之前跟大家介紹過的艾茲拉龐德,勉強把《荒原》翻改成可讀的版本,加了很多註腳,務求令世人讀得通它的真意。這個情節,Bob Dylan也收錄在《Desolation Row》第九節裡面:
Praise be to Nero’s Neptune
The Titanic sails at dawn
And everybody’s shouting
“Which Side Are You On?”
And Ezra Pound and T. S. Eliot
Fighting in the captain’s tower
While calypso singers laugh at them
And fishermen hold flowers
Between the windows of the sea
Where lovely mermaids flow
And nobody has to think too much
About Desolation Row
讚美歸於尼祿的海王星
鐵達尼啟程於黎明
而每個人都發出喊聲
「你到底站哪一邊?」
而艾茲拉龐和ES艾略
在船長的塔上決鬥
卡利索普歌手取笑他們
漁民手執鮮花
在大海的窗戶之間
那裡有可愛的美人魚流過
此際沒有人想太多
關於那荒涼之路
是的,Bob Dylan是在模仿ES艾略特式的混亂,而在最後一節揭曉了混亂的原因:
Yes, I received your letter yesterday
(About the time the doorknob broke)
When you asked how I was doing
Was that some kind of joke?
All these people that you mention
Yes, I know them, they’re quite lame
I had to rearrange their faces
And give them all another name
Right now I can’t read too good
Don’t send me no more letters, no
Not unless you mail them
From Desolation Row
係呀,我尋日收到你嘅信
(大概在門鎖壞了的時候)
你問我最近過成怎樣
是一個需要笑的笑話嗎?
全部這些你所提及的人
係呀,我知道佢哋,佢哋都幾無趣
我需要重新構建他們的臉容
給他們全都搞混了名字
此際我已經不太擅於閱讀
不要再寄更多的信給我了,不要
除非它們是你寄自
於荒涼之路
聽過這麼多段,就像走完了一段漫長的荒涼的路,有一種想哭的感覺。Bob Dylan的音樂經常都給予的這種荒涼感,只有經歷很多的人才會有這種感覺,寫得出這種詞,流下了這滴淚。
作者
同時也有40部Youtube影片,追蹤數超過16萬的網紅林子安 AnViolin,也在其Youtube影片中提到,■ 更多林子安: INSTAGRAM:https://www.instagram.com/an__official/ FACEBOOK:https://www.facebook.com/Anviolin/ WEIBO:http://weibo.com/u/6511795600 Spotify:htt...
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how to play violin 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳貼文
Farewell. Ida – Ida Haendel 192?-2020
So Ida has left us – a legend has departed. What a violinist! What a woman! Magnificent, unique, incorrigible – she was a law unto herself.
First, the playing: a film about her was aptly entitled: ‘I AM the Violin.’ And she was! The violin was her life; she mastered it, devoted so much of her existence to it, cared so much about it. Every performance was an event, which she took absolutely seriously, giving each concert her all. She spoke through her violin, proved herself through it, lived within the music she made. She was a marvel, an icon; each note she played was the result of total conviction – and as a consequence was totally convincing. She had been groomed from the beginning to be a star – and a star she was.
But she was also an adorable person. I had heard of her, of course, from my childhood onwards – hadn’t everybody? But I didn’t meet her until - I think - 2000, when I attended a memorable recital she gave at the Wigmore Hall (apparently her debut there!), concluding with a magisterial performance of Enescu’s 3rd sonata. I’d heard, to my delight, that she’d heard me somewhere, and had liked it, so I dared to go backstage afterwards. Having enthused about her playing, I rather uncertainly told her that I was Steven. She looked at me disbelievingly. ‘You’re NOT’ she announced, in her wonderful deep voice. I assured her that I certainly had been last time I looked in the mirror. She accepted this, and proposed that we play the Brahms Double together. It was such an honour; but alas, I just couldn’t do the dates she suggested.
I came across her shortly thereafter, however, at the Verbier Festival. I’d seen that she was giving masterclasses there, so when I saw her, I asked how they were going. She looked at me severely. ‘Steven,’ she boomed, wagging her finger. ‘I don’t teach.’ I was puzzled; she was, after all, advertised as the teacher of the violin class. ‘So you like teaching?’ I said, provoking her. The finger wagged again. ‘Steven,’ she repeated with equal seriousness, ‘I don’t teach.’ ‘So how’s the teaching going?’ I asked. Her finger was on its way in my direction, and she’d started to say my name in the same tone of voice – when suddenly her face broke into a big smile. ‘Oh – so you’re a tease,’ she said. After that, we got on famously. My other main memory of that Verbier encounter was of her examining something – I couldn’t see what - in the hotel lobby, and then calling me over. It turned out that the object in her hands was an album of recent photos of her. ‘Look, Steven,’ she commanded urgently. ‘Don’t I look gorgeous?’
Later, we took her to dinner near her flat in London. Tottering through the streets in her high heels, she suddenly came to a stop in front of a (closed) clothes shop, where either a pair of gold shoes or a gold dress (I can’t remember which) had caught her eye. It was impossible to budge her, late though we were for the restaurant. ‘Wouldn’t I look wonderful in that?’ she asked us challengingly. We agreed that she would. ‘I’m coming back here tomorrow morning,’ she assured us. She spoke that night about her appearance. ‘You think I dress like this just to go out?’ she asked. ‘No! Catch me at breakfast – I’ll look just the same.’ Her pride in her appearance was never-changing. Perhaps in someone else it could have been too much – but with Ida, it was wonderful, admirable; life-affirming, in fact, like her pride in her playing.
It is funny that already I’ve seen two obituaries giving her age five years apart. She’d certainly have preferred the younger estimate… It was impossible to get the truth out of her. I remember asking another glorious violinist-character, Lorand Fenyves, whether he knew Ida. ‘Oh yes, of course!’ he replied. ‘I knew her when I was 16 and she was 15.’ He paused. ‘And now I’m 80 and’ his eyes twinkled, ‘she’s 55!’
Although we never got to play the Brahms Double together, we did perform the Beethoven Triple concerto with Martha Argerich and the Rotterdam Philharmonic under the then little-known Yannick Nezet-Seguin in (I think) 2006. Now THAT was an experience – to put it rather mildly… Playing with those two way-larger-than-life ladies was something not to be forgotten; the two adored each other, and it was great fun to witness their interaction. Ida had only played the piece once before, as I remember; but she played it with utter conviction. And Martha was – well, Martha. And Yannick kept the whole thing together, somehow. So – it was special…
It was supposed to happen again, in Miami (where Ida lived); but alas, it didn’t. Still, I kept in touch with Ida and on one memorable occasion got to interview her at the Wigmore Hall (there’s a recording of that occasion on Youtube). She also came down to Prussia Cove once for three days, her visit culminating in a breathtaking account of the Bach Chaconne (she sported an almost equally breathtaking dress to match!) at the Hall for Cornwall. We also played and taught/didn’t teach together in 2010 at the Summit Music Festival, just outside New York. That was another unforgettable experience. At the concert that concluded the festival, Ida played virtuoso pieces with the orchestra that would have been impressive in someone thirty years younger – even younger – than she was. But equally Ida-ish was the post-concert experience. For some reason, it got very late, and it was well after midnight when we were taken in search of food. Not surprisingly, there were few options in the countryside at that time of night; but eventually we found a 24-hour diner. We went in and occupied a table. Looking around at the bikers and other rather unpredictable-looking types, I was a tad nervous; not Ida. I fortified myself with a margarita; she had tea. At one point, the conversation turned to Schumann, and his 2nd violin sonata (which at that time I didn’t know very well). I asked a question about it. ‘You want to hear how it goes?’ Ida demanded to know. She strode over to her violin-case, pulled out the violin, and to the astonishment (and then, luckily the delight) of the assembled company, began to play it. A photo taken at the time (below) shows me a little less than comfortable – and her absolutely in her element.
Oh, Ida. By the last time I spoke to her – too long ago, but not that long ago – I’d heard that she’d become very forgetful, so wasn’t quite sure whether to call her or not. But I dialled anyway, and the phone was answered. ‘Hello, Ida?” ‘Who is it?’ ‘It’s Steven – Steven Isserlis.” Silence – then the phone went dead. Oh dear. I tried again. This time I was able to hold her attention long enough to remind her who I was. We started to talk, and as the conversation progressed, she evidently remembered more and more about our friendship. It was true that she repeated herself a lot; but still – she was very much Ida, the same wonderful voice, the same love of life.
And now she’s gone. Farewell, Ida the legend; we humanoids will miss you – but thank you, thank you for giving us so much. Everything, in fact.
how to play violin 在 Fan-Chiang Yi 范姜毅 Facebook 的最讚貼文
Upbowstaccato is a technique that can be used for elegance like in Elgar 🎻
La Capricieuse is a song I heard before I started playing the violin. I remember hearing a recording of Sarah Chang's Debut album and this was on it. Since then, I've always wanted to play it but I didn't know how to control my upbow staccato. 🏹
One way to work on this technique is to angle your bow slightly inwards and to try lifting your pinky off the bow. It's like skipping stones, once you know what works for your body, you can start to master it. 💎
Did you notice the end? 🤭 Comment below if you did 😂
how to play violin 在 林子安 AnViolin Youtube 的最佳貼文
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🎶樂譜連結 Sheet Music🎶
https://gum.co/Kdotg
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胡夏《那些年》(電影「那些年,我們一起追的女孩」主題曲)小提琴版本
| Violin cover by Lin Tzu An of《Those Bygone Years》by Xia Hu
不管是電影還是這主題曲「那些年」,都有讓人回到過去青春時空的神秘力量😆
甚至紅到名列韓國人喜愛的台灣電影前五名,也在當時讓柯震東和陳妍希爆紅!
我也試著拉拉看(雙關)把大家一起拉回過去的青澀回憶,讓大家不要忘記心裡的初衷、不忘記青春年少曾有的感動、不忘記在曾經一起笑過哭過的朋友們,也不忘記那個曾經深深愛過的女孩。
雖然很多人常常提起這部電影就是講到男女主角,可是背後的意義更好:喜歡一件事一個人,不要計較輸贏,活在當下享受過程,比最後的結果要來的更重要。
最後即使沒有happy ending,也謝謝過去有你陪我走過這段的感覺:)
信義區香堤大道街頭演出變成登記制了,想聽我live版演出相關資訊,請追蹤Instagram限時動態!
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Not sure if it's within the movie or hidden behind the theme song, the song is always like gravity pulling us bak to the past, so today's cover is trying to attract every single one of you back to those time, reminding those smile and tears good or bad =]
btw the movie is soooooooo famous that it's listed as top 5 fav Taiwanese movies by Koreans.
Tho some would mention those love and affairs in the movie, personally I'd prefer the" love at the moment," like we don't necessarily have a happy ending in the end, but I do appreciate the time we've been together. What's yours? commment below to let me know!
Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!
Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!
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編曲Arrange:林子安 Lin Tzu An
混音mix:林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
鍵盤:Neon Lu
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu
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【Cover by AnViolin】每週上傳新的小提琴cover影片,
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知,按讚留言分享給你家人朋友看!
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#那些年
#AnViolin
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how to play violin 在 林子安 AnViolin Youtube 的最佳貼文
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各式工作演出邀約請私訊IG或臉書專頁
For business, please send private message to my Instagram or Facebook fan page.
■ 更多【Cover by AnViolin】:https://bit.ly/2vWVtF5
🎶樂譜連結 Sheet Music🎶
https://gum.co/mEUZY
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Melanie Martinez《Play Date》小提琴版本
| Violin cover by Lin Tzu An of Play Date from Melanie Martinez
這首歌旋律可可愛愛又很洗腦!
Play date原意是指那種美國讓小孩在假日一起遊戲的聚會,像是扮家家酒的感覺,不過在Play date這首歌,除了用輕快旋律說著遊戲玩具的感覺,更多是在暗喻那位若即若離、不珍惜自己的另一個人,而且本來以為會帥氣跟這種約會對象說掰掰,最後還是誠實面對自己內心,委屈巴巴說著在乎。
誠實面對自己內心固然很好,但人生應該成為自己的星球再去熱愛整個宇宙,面對遊戲人間的傢伙,我們就是要比對方更不認真(誒)又不是只有你會玩啦,認真的人就輸了啊,要用這種心態成為自己的王喔!
信義區香堤大道街頭演出變成登記制了,想聽我live版演出相關資訊,請追蹤Instagram限時動態!
5/28-6/14 由於全台灣疫情警戒升級,街頭演出全部暫停,大家待在家裡網購刷卡的同時,也多刷刷我cover影片,反正PCHOME本來號稱24HR送達都要變成24天了,我子安頻道的音樂才真是24HR隨選隨播,大家乖乖待在家喔~
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Here comes this week cover of this superrrr cute song, Play Date.
Play Date went viral and sudden rose in popularity recently becasue of TikTok.
It's saying the girl is nothing more than a friend to someone who seems to care very little about her, even though they get together often. She outwardly proclaims she is just as uncommitted as he is, and how she's tired of all the games she has to play to stay with such uncommitted guy. She wishes she didn’t care about how little he communicates but she can't stop thinking about him. In the final moments of the song, she admits she does care about him and does value their "play date".
But well, if they really cared, then they would have not given up on you. period.
Be your own sunshine.
Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!
Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!
In light of the escalated measures on COVID-19 from the Taiwan government, my busking schedules are all canceled until June 14.
For more updated information , check it out on my Instagram stories!
Stay home, stay safe and stay healthy.
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編曲Arrange:林子安 Lin Tzu An
混音mix:林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu
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🎻Sponsor AnViolin🎻
如果你喜歡我的影片的話,歡迎贊助我,讓我有更多資源去提升畫面與音樂。
贊助連結:
(台灣請用歐付寶)歐付寶:https://p.opay.tw/77sBF
(Via Paypal)Sponsorship:https://www.paypal.me/Anviolin
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【Cover by AnViolin】每週上傳新的小提琴cover影片,
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知,按讚留言分享給你家人朋友看!
還想看子安cover什麼歌?留言跟我說 !
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#MelanieMartinez
#playdate
#alternative
#pop
#crybaby
#AnViolin
#CoverSong
#ViolinCover
#CoverByAn
#林子安
#林子安小提琴
how to play violin 在 林子安 AnViolin Youtube 的最讚貼文
■ 更多林子安:
INSTAGRAM:https://www.instagram.com/an__official/
FACEBOOK:https://www.facebook.com/Anviolin/
WEIBO:http://weibo.com/u/6511795600
Spotify:https://spoti.fi/2XmfcLw
各式工作演出邀約請私訊IG或臉書專頁
For business, please send private message to my Instagram or Facebook fan page.
■ 更多【Cover by AnViolin】:https://bit.ly/2vWVtF5
■ 更多【Classical by AnViolin】:https://bit.ly/2XMZp6x
🎶樂譜連結 Sheet Music🎶
https://gum.co/rdfmw
(台灣請用蝦皮)https://shopee.tw/product/260436562/8255655337?smtt=0.260438387-1621230189.9
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D大調卡農 Canon in D Major【Classical by AnViolin】
妹妹IG(不用客氣)sister instagram
https://instagram.com/lintina__20?igshid=16s3f627hxj4
「你哥呢?」
「在旁邊拉卡農啊」
本人招牌卡農終於出現了,不過不是每次街頭演出的壓軸搖滾卡農,而是最具代表也是大家最熟悉版本的卡農(吃果子要拜樹頭的概念)
大家耳熟能詳的D大調卡農,旋律純粹簡單的同時,和聲又不會讓人覺得單調,每個小細節都感覺到變化的驚喜,是平凡之中帶點浪漫的歌,而且不斷旋律重複貫穿始終,簡直是hook song的始祖😆
因為D大調卡農的高辨識性,連在婚禮都很常聽到~~
D大調卡農了讓人覺得很放鬆很舒服,所以如果工作唸書疲累了,或厭倦了社交生活,就來聽我妹(在我cover頻道)的出道曲喔!
另外!大家有沒有覺得這次場地非常特別?
特別感謝台灣少見的小型音樂會場地文水藝文中心(微乾爹萬歲!!!)
成立於2012年台北市南京東路的商業大樓中的文水藝文中心,秉持著打造人文與藝術匯集的音樂殿堂的精神,為台灣音樂家與觀眾提供最優質的服務。
中心有兩個展演空間,表演廳是專為古典音樂所設計的喔,而且是使用世界頂級鋼琴品牌FAZIOLI和德國頂級手工鋼琴GROTRIAN。
表演廳有108席,讓大家可以感受零距離的音樂饗宴,包含無障礙保留席的獨立座位,每個座位還都附有寫字板,適合音樂會、發表會、大師班、企業演講會議等等活動使用;而沙龍區可以作為表演廳交誼功能的延伸,溫馨典雅的沙龍廳可以容納50人,有Bösendorfer百年古典平台鋼琴,適合小型發表會、茶會、酒會等活動,另外,文水藝文中心也有提供專業客製化整體節目企劃服務,大家有需要的時候,都可以洽詢文水藝文中心!
更多資訊請往這邊走~
地址:台北市中山區南京東路二段124號9F
電話:02-2501-9888
官方網站:ttps://www.facebook.com/wenshui.jazz
信義區香堤大道街頭演出變成登記制了,想聽我live版演出相關資訊,請追蹤Instagram限時動態!
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Welcome my sister showing up in my channel =]
Personally I love Canon in D Major soooo much, so I think it's the best decision to have my sis play together with me, how you think about this?
Specials thanks to Wenshui Arts and Cultural Center for the venue.
Check their page out for more informaion: https://www.wenshui.com.tw/en/about/room.html
Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!
Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!
--
編曲Arrange:林子安 Lin Tzu An
混音mix:林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
鋼琴 Piano: Tina Lin
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu
--
🎻Sponsor AnViolin🎻
如果你喜歡我的影片的話,歡迎贊助我,讓我有更多資源去提升畫面與音樂。
贊助連結:
(台灣請用歐付寶)歐付寶:https://p.opay.tw/77sBF
(Via Paypal)Sponsorship:https://www.paypal.me/Anviolin
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【Classical by AnViolin】不定期上傳子安演奏小提琴古典音樂曲目的影片,
【Cover by AnViolin】每週上傳新的小提琴cover影片,
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知,按讚留言分享給你家人朋友看!
還想看子安演奏什麼古典音樂曲目?留言跟我說 !
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#AnViolin
#CanonDviolin
#卡農小提琴
#CoverSong
#ViolinCover
#CoverByAn
#林子安
#林子安小提琴
how to play violin 在 play the violin 或是play violin... - 每日一句學英文- Daily English 的推薦與評價
play the violin 或是play violin ??? 兩個都對,英式用法演湊樂器時需要加the,而美式用法不需要~ violin /ˋ͵vaɪəˋlɪn/ 小提琴 e.g., ... ... <看更多>